Awards: 2003 Young Architects Award
Recipient: Ronald Todd Ray, AIA (STUDIO27architecture)
Representative Work: GYMR Mediating Wall; Washington, D.C.
Client: GYMR (Garrett, Yu Hussein, McCabe & Reis, LLC
Photo: John K. Burke, AIA (STUDIO27architecture)
 

   
 
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Security Design: Achieving Transparency in Civic Architecture

 

A session at the 2003 AIA National Convention

Panel:
Barbara Nadel, FAIA, Barbara Nadel Architect
Edward Feiner, FAIA, U.S. General Services Administration
Thom Mayne, AIA, Morphosis Architects
Antoine Predock, FAIA, Antoine Predock Architect
Moshe Safdie, FAIA, Moshe Safdie and Associates Inc.

Terrorism, crime, biohazards, and workplace violence have heightened public awareness about security in the built environment, requiring architects and government agencies to balance the needs for openness and enhanced security.
Facilities today are balancing security with public access, using transparent security site planning and building design solutions to minimize obvious barriers and maximize design excellence. These approaches include integrating the landscape and perimeter security measures into site design and keeping abreast of the latest trends in security and technology.

The need for security is particularly high in government buildings, and the General Service Administration's (GSA) Design Excellence Program, encompassing federal courthouses and office buildings, has produced award-winning architecture that strengthens urban centers and the civic landscapes through attention to transparent security measures.

How to keep the "public" in public buildings is a major question, said Edward Feiner, FAIA, who represented the GSA. There is a federal presence in communities across the country, and for generations these buildings have represented, in imagery, the federal government. "How do you deal with security while providing openness and access?" he asked.

The U.S. government and the rest of the country are out of sync, with the government usually lagging about 5 to 10 years behind. However, it underwent a baptism by fire in 1995, when the Alfred P. Murrah Federal Building in Oklahoma City was blown up, Feiner noted. After the bombing, the federal government came up with some of the answers, though certainly not all.

We could build fortresses and bunkers, said Feiner, but that's just a knee-jerk reaction. There is no way to protect ourselves from all risks, but negligence is not acceptable, either, he said. The answer is to find an acceptable balance: to thwart terrorists who would separate people from their government while avoiding a new era of military-style security planning.

Security is part of a deeper discussion, said Thom Mayne, AIA. Barricading is not an acceptable response to fear, and public architecture must remain open, he said. "One of the big questions in designing federal buildings is security, and how you can structure architecture from the beginning to deal with security issues."

Mayne's firm, Morphosis, is working on a 600,000-square-foot federal building complex in San Francisco. The project, which includes two buildings separated by a plaza, is intended to spur redevelopment in the neighborhood. It will also reduce federal energy consumption in San Francisco by 50 percent, through sustainable elements and the reduction of the complex from five buildings to two.

The signature tower is just 65 feet wide to allow light in from both sides and reduce the need for interior lighting. In addition, it will have a stainless steel shell screen hanging over its south side to create a natural circulation engine. This is a main part of the building's cooling and heating system. A high-tech building management system monitors interior temperatures and automatically opens and closes floor-level vents to allow air to circulate. Without walls separating offices, air can flow freely.

The building does not have conventional heating and air conditioning systems in 70 percent of its space. It has a backup water heat pump system, tested and partially designed by the scientists at Lawrence Berkeley Laboratory. To further save energy, elevators don't stop on every floor but on every third floor, although there is a backup elevator for the handicapped. The high-tech designs added 5 percent to the building's cost, but over time money will be saved because of energy efficiency. Not putting in standard air conditioning units saved $11 million.

A three-story sky garden gives employees and the public outside space and bay views. The tower's entrance is a 90-foot-high, cathedral-like passageway. The building is capped by an 18-foot, three-sided tube that serves as its crest.

Mayne blended security with an environmentally advanced approach in the National Oceanic and Atmospheric Administration's 208,000-square-foot satellite operations center in Suitland, Md. The award-winning, environmentally friendly design includes a 140,000-square-foot roof touted as the largest green roof in the country. The roof will be punctuated with skylights and large landscaped courtyards. The project has been design to meet silver level requirements for the U.S. Green Building Council's LEED (Leadership in Energy and Environmental Design) Green Building Rating SystemTM.

"You can focus on security, sustainability, whatever," noted Antoine Predock, FAIA, "but truly good architecture will have it all." Predock designed the new city hall and public plaza in Austin, Tex., using the project to link the redeveloping mixed-use Warehouse District to Town Lake.

The structure angles away from adjacent streets, lending an air of informality to the surrounding grid and creating several miniplazas where the public can gather. The setbacks also enhance site security. A massive chunk of limestone, emerging from bedrock at the lowest level of the parking garage, anchors the project to the site. Tree-lined terraces spill from the building and connect to the plaza at the lake. The building's skin and roof are bronze, as is the ceiling.

The plaza winds its way around the limestone peninsulas of the terraced building. Water originates from the canyon-like space inside the building and runs through a group of monumental limestone boulders in the plaza. The plaza contains a limestone stage for performances, with amphitheater seating. The amphitheater is protected from the sun by a trellised structure made up of photovoltaic cells.

Predock also designed a federal courthouse in Las Cruces, N.Mex., on a 1.54-acre site near the city hall. The 206,000-square-foot, six-story courthouse has six courtrooms and numerous offices. It features two irregularly shaped, copper-colored rectangular buildings separated to create a courtyard area that will frame the view of the Organ Mountains.

He worked with the GSA's Regional Historic Preservation Office and the State Historic Preservation Office to address issues related to historic preservation and to constructing a building that would fit in with adjoining neighborhoods and ensure sensitivity to important historic and cultural areas.

The courthouse also complies with federal standards adopted after the Oklahoma City bombing. To meet the 50-foot setbacks around the building, the GSA purchased several downtown streets around the parking lot, which makes the site very tight.

The threat of terrorism raises fundamental questions, and civil liberties could be compromised. The parallel to architecture is that its openness could also be compromised, noted Moshe Safdie, FAIA. "Security is fighting the last war," Safdie said. "We're struggling between being a moving target for suicide bombers, car bombs, and making buildings accessible and urbane."

In the mid-1970s, designing for security meant no plantings and no ground-level windows, but these efforts never solved the social issues of crime, Safdie said. "Terrorism is different. There is a balance between risk taking and covering your back."

Safdie is addressing that balance in the design of the U.S. Courthouse in Mobile, Ala. The 322,000-square-foot facility (scheduled to open in 2007) will have 10 courtrooms, with room to expand, and numerous offices.

The entrance to the new courthouse will be a great, glazed facade that extends as a colonnaded arcade and accommodates a grand staircase that rises to every floor. The colonnade curves around the two-block site, encircling a cluster of oak trees along St. Louis Street. Proposed additional planting will extend this landscape to form a civic piazza in which the oaks, a reflective pool, and soft and hard landscaping will create a community gathering place.

Conception Street, which bisects the site, will remain a pedestrian path, with the building bridging over the promenade. Three-story-high garden walls will match the scale of adjacent residential buildings, enhance the building's security, and define the urban street edge. The south-facing areas will be shaded by oak trees and complemented by a linear lightwell running the length of the building and providing daylight to the offices. In addition, all courtrooms are fitted with windows and/or skylights to enhance the environment.

The building's pale color scheme-including a great deal of the light buff Alabama limestone-is intended to follow the local architectural tradition and to offer a nice contrast with the dark green of the oak leaves.

Safdie's 125,200-square-foot Headquarters of the U.S. Institute of Peace is slated for completion in 2006. Its site, on the last open spot on the National Mall, makes the building a highly symbolic structure.

The headquarters will contain administrative offices, research facilities (including a library and archives), a public conference center, and an interactive education center dedicated to the themes of international conflict management and peacemaking. Two atria will fan out from a corner entrance, one toward the Potomac River and the other toward the Lincoln Memorial. The first will house the research spaces, and the other will accommodate public activity and conferences. A second entrance on the Mall will lead into the education center.

The public spaces in the building will be roofed by a series of spherical and toroidal segments, constructed of steel frame and white translucent glass. During the day they will be white, but at night they will glow from within, making them visible not only along the mall but also across the bridges from Virginia.