Poetry Foundation | Notes of Interest
The Poetry Foundation is comprised of a building in dialogue with a garden created through erosion of an implied volume as described by the L-shaped property boundary. The garden interlocks with the building and is conceived as another “room,” part of the building’s slowly-unfolding spatial sequence revealed space by space, not unlike a poem is revealed line by line.
Visitors enter through the garden, an urban sanctuary that mediates between the street and enclosed building. Entering the garden, visitors first encounter the library space, announcing that they are entering into a literary environment. Inside, an exhibition gallery connects the library to the performance space, where visitors listen to poets read their work against the backdrop of the garden.
Public functions (performance space, gallery and library) are located on the ground floor, while office spaces are located on the second level, organized into three areas (Foundation Administration, Poetry magazine/website, and Programs). The building is configured to allow for views from all spaces out onto the garden.
Tectonically, the building is conceived of as a series of layers that visitors move through and between. Layers, of zinc, glass, and wood, peel apart to define the various spaces of the building. The building’s outer layer of oxidized zinc becomes perforated where it borders the garden, allowing visual access to the garden from the street to encourage public investigation.
Acoustical: Threshold Acoustics
Development: U.S. Equities Realty; Norcon
Engineer: Arup; dbHMS; Terra Engineering
Landscape Architect: Reed Hilderbrand Associates
Lighting: Charter Sills
© Steve Hall
© Hedrich Blessing
- Architect: John Ronan Architects
- Owner: Poetry Foundation
- Location: Chicago
This building unfolds as it is experienced and is sublime in its stillness and detailing.
From the street, one is seduced by is secrecy and upon entering its crafted inner court, the project is revealed much like a poetry reading.
The manipulation of light through sectional explorations and the weaving of its limited material use through its interiors are resolved exceptionally well.
2012 Institute Honor Awards for Architecture Jury
- Rod Kruse, FAIA, Chair
- BNIM Architects
- Des Moines
- Barbara White Bryson, FAIA
- Rice University
- Annie Chu, AIA
- Chu & Gooding Architects
- Los Angeles
- Dima Daimi, Assoc. AIA
- Farmington Hills, Michigan
- Harry J. Hunderman, FAIA
- Wiss, Janney, Elstner Associates, Inc.
- Northbrook, Illinois
- Scott Lindenau, FAIA
- Studio B Architects
- Aspen, Colorado
- Kirsten R. Murray, AIA
- Olson Kundig Architects
- Thomas M. Phifer, FAIA
- Thomas Phifer & Partners
- New York City
- Seth H. Wentz, AIA
- LSC Design, Inc.
- York, Pennsylvania