The Standard, New York
The Standard, New York | Notes of Interest
Located in Manhattan’s Hudson riverfront Meatpacking District, the hotel responds to its context through contrast: sculptural piers, whose forms clearly separate the building from the orthogonal street grid, raise the building fifty-seven feet off the street, and allow the horizontally-scaled industrial landscape to pass beneath it and natural light to penetrate to the street.
The 18-story building straddles the High Line, a 75-year-old elevated railroad line recently developed into a new linear, public park. The two slabs of the building are “hinged,” angled to further emphasize the building’s distinction from the city’s grid and its levitation above the neighborhood.
The low-scale environment affords the building unique visibility from all directions, and unobstructed 360° views of the city. The juxtaposition of the building’s two materials – concrete and glass – reflects the character of the city: the gritty quality of the concrete contrasts with the refinement of the glass. The concrete grid provides a delicate frame for the exceedingly transparent water-white glass, the two materials unified in the continuous plane of the curtain wall.
The curtainwall breaks with the traditional architecture of hotels, replacing opacity with transparency, privacy with openness and defining a new paradigm.
Acoustical: Cerami & Associates
Engineer: DeSimone; Edwards & Zuck; H.A. Bader; Langan Engineering & Environmental Services
Façade: R.A. Heintges
Interior Design: André Balazs Properties; Shawn Hausman; Roman and Williams
©Alex MacLean/Landslides Aerial Photography
©Aislinn Weidele/Ennead Architects
The Standard, New York
- Architect: Ennead Architects
- Owner: André Balazs Properties
- Location: New York City
The building addresses the urban scale as a tower relating to highline and river well. It blends seamlessly with the fabric of the surrounding neighborhood.
There is clarity in the choice and articulation of materials and a sense of restraint, though the end result is one of high visual impact.
The goal for transparency and openness successfully drives design and detailing decisions.
2012 Institute Honor Awards for Architecture Jury
- Rod Kruse, FAIA, Chair
- BNIM Architects
- Des Moines
- Barbara White Bryson, FAIA
- Rice University
- Annie Chu, AIA
- Chu & Gooding Architects
- Los Angeles
- Dima Daimi, Assoc. AIA
- Farmington Hills, Michigan
- Harry J. Hunderman, FAIA
- Wiss, Janney, Elstner Associates, Inc.
- Northbrook, Illinois
- Scott Lindenau, FAIA
- Studio B Architects
- Aspen, Colorado
- Kirsten R. Murray, AIA
- Olson Kundig Architects
- Thomas M. Phifer, FAIA
- Thomas Phifer & Partners
- New York City
- Seth H. Wentz, AIA
- LSC Design, Inc.
- York, Pennsylvania