The Renwick Gallery of the Smithsonian American Art Museum

Architect: DLR Group | Westlake Reed Leskosky

Owner: Smithsonian Institution

Location: Washington, DC

Project site: Historic structure or district

Building program type(s): Public Assembly – Entertainment/Culture

www.dlrgroup.com

The Renwick Gallery of the Smithsonian American Art Museum was the first purpose-built art museum in the country, built in 1859 to the design of architect James Renwick, Jr. and was last renovated between 1967 and 1972. The 21st century renovation replaced and improved major building infrastructure, enhanced historic features, and improved flexibility for exhibits. The project included restoration of two long-concealed vaulted ceilings; re-creation of the original 19th-century window configuration; replacement of all building systems; and improvements for accessibility. The project achieved a 50 percent reduction in annual energy use, while welcoming more than 500,000 visitors and 180 million social media impressions in its first six months.

"The Renwick Gallery renovation wove complex and robust new systems while preserving the impressive historic design and collection and allowing opportunities for new works to be displayed." ~ Jury statement

The major renovation of The Renwick Gallery of the Smithsonian American Art Museum preserves and respects the historic character and building envelope of the National Historic Landmark, while modernizing infrastructure with state-of-the-art sustainable and energy-efficient technologies. Image: Smithsonian American Art Museum (left photo); Kevin Reeves (right photo); DLR Group | Westlake Reed Leskosky

A complex historical preservation: The major renovation of The Renwick Gallery of the Smithsonian American Art Museum preserves and respects the historic character and building envelope of the National Historic Landmark building, while modernizing infrastructure and systems with state-of-the-art energy efficient technologies. Originally built in 1859, the Renwick Gallery is the first purpose built museum in the United States and one of the first major projects of the modern historic preservation movement in the 1960s. Following its renovation 45 years ago, the facility had begun to reach functional obsolescence. This project represents a complex historic preservation performed with a broad group of stakeholders; including the Smithsonian, the arts community, visitors to DC, and local, regional, and federal governmental agencies. Priorities were integrated to meet a tight budget, a schedule driven by minimizing closure of the museum, and a strong commitment by the Smithsonian to institutional sustainability. Flexible and predictable environmental control for 21st century exhibits was a top priority.  

Design strategies benefit triple bottom line: The project team demonstrated that a historic building can be restored and modernized to today’s building codes and standards while meeting an aggressive brief for environmental control, budget, and schedule. The core design team of specialists in sustainability, architecture, interior design, MEP engineering, technology design, historic preservation, and architectural lighting design were from a single firm. By utilizing this integrated design structure, the team was able to provide multiple benefits:

  • Social: safe and sustainable building conditions for the collection, rehabilitation of this treasured historic structure for future generations, and an enhanced and more open visitor experience.  
  • Economic: a renovation that improves major building infrastructure systems, while minimizing costly interventions and reducing resource use.  
  • Environmental: an approach compliant with current building codes and efficiency standards, without claiming exemptions or altering the building’s form.

Additional information

Project attributes

Year of design completion: 2013

Year of substantial project completion: 2015

Gross conditioned floor area: 46,800 sq ft

Gross unconditioned floor area: 0 sq ft

Number of stories: 6

Project Climate Zone: ASHRAE 4A

Annual hours of operation: 3,000

Site area: 17,000 sq ft

Project site context/setting: urban

Cost of construction, excluding furnishing: $20 million

Number of residents, occupants, visitors: 800,000

Project Team

Architecture, Mechanical/Electrical/Plumbing Engineering, Sustainability, Lighting, Technology:         DLR Group|Westlake Reed Leskosky  

Cost Estimating: O’Connor Construction Management

Engineer - Civil: Wiles Mensch  

Engineer - Fire Protection,Life Safety/Security: GHD/Protection Engineering Group

Engineer - Structural: Woods Peacock  

General Contractor/Constructor: Consigli Construction Co., Inc.  

Hazardous Materials: Applied Environmental  

Vertical Transportation: Lerch Bates

Wayfinding/Signage: AB Design  

Third party rating systems

LEED: Silver

 

Jury

Michelle Addington, Dean, School of Architecture, The University of Texas Austin, Austin, Texas

Jennifer Devlin-Herbert, FAIA, EHDD. San Francisco

Kevin Schorn, AIA, Renzo Piano Building Workshop, New York

Julie V. Snow, FAIA, Snow Kreilich, Minneapolis

M. Susan Ubbelohde, LOISOS + UBBELOHDE, Alameda, California

Jury comments

In this major retrofit project, the design team made great improvements to the thermal and luminous performance of this extremely challenging and much loved 1859 historical landmark. The mechanical and lighting systems installed 45 years ago had become obsolete. The tight temperature and humidity control requirements for an art museum are challenging to begin with, yet the project team succeeded in dramatically improving the Renwick’s environmental footprint. The measured net EUI is a 49 percent reduction from national average, and the renovation provides daylight to 90 percent of the staff.

Reuse of the air conditioning condensate, typically a wasted byproduct, helped significantly reduce the potable water use. The success of the Renwick’s improvements demonstrate that museums and historic landmarks can deliver comfort energy savings with creative retrofits and will hopefully encourage similar projects. The Renwick Gallery renovation wove complex and robust new systems while preserving the impressive historic design and collection and allowing opportunities for new works to be displayed. All of this was done within a very restrained site, budget, and schedule.

Image credits

1 - Renwick

Kevin Reeves (photo); DLR Group | Westlake Reed Leskosky

3 - Renwick

Kevin Reeves (photo); DLR Group | Westlake Reed Leskosky

6 - Renwick

Kevin Reeves (photo) ; Courtesy of DLR Group | Westlake Reed Leskosky

2 - Renwick

Kevin Reeves (photo); DLR Group | Westlake Reed Leskosky

4 - Renwick

Kevin Reeves (photo); DLR Group | Westlake Reed Leskosky

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Kevin Reeves (photo) ; Courtesy of DLR Group | Westlake Reed Leskosky

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Kevin Reeves (photo) ; Courtesy of DLR Group | Westlake Reed Leskosky

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Kevin Reeves (photo) ; Courtesy of DLR Group | Westlake Reed Leskosky